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Fixing the Glitch

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Picture Written by Ted Goslin

Picture this: you arrive to an upscale venue for a corporate event. There is an in-door area with tables for dinner, but you are asked to play outside. It’s day time, the sun is shining brightly with moderate heat and you are in a tight space performing for cocktail hour. But there’s something missing: shade. You’re exposed and have no one to blame but yourself. Now what?
We all have brain farts now and again and forget an important requirement for a gig. The key is first not to blame yourself for the mistake. The level of the error can play to your favor in this case. It’s not like you forgot your stand and have to play on the ground! Get past it quickly and figure out your options because the client is waiting.
First, assess the layout of the venue. Are you in a corner? If so, which corner? Can you move to a different spot? Consider asking the host for an alternate spot to set up in that has a little shade. If the client won’t let you move, explain the situation, apologize for not informing them during the initial discussion and see if they can provide some sort of shade. Depending on the venue, this may be possible as most hotels and wedding halls have umbrellas or EZ Ups to loan. However, if you’re on the beach or in a remote area, you might be out of luck.  As a precaution, always bring a cover of some sort, whether it be an EZ Up pop-up tent or a Pan cover. Even a towel will suffice, so long as there is some protection, otherwise you’ll likely end up out of tune and out of work, instead of passing out those cards and meeting potential future clients.
The best solution, however, is to prevent this in the first place with good planning. If you don’t already have one, make a pre-gig checklist. Use this when setting up the gig with the client. It should include things like pricing options, set list, instrumentation, attire and logistics, including power source location and (surprise!) shade.
Remember, you’re the last line of defense between having a successful gig and losing out on that client and a whole crowd of potentials forever. Take the time to properly prepare and protect yourself and nightmares like these will become a distant memory.

Adjusting the Set List

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Picture Written by Ted Goslin

When a client first calls us for a gig, we have our set list of criteria to discuss. Those usually include date, time, fee, location and set list. Most of the time, client’s hiring for backyard parties are lax on the set list, and prefer to trust the musician to adjust to the crowd naturally. Of course, this is easier said than done.
It takes true skill to read the crowd, adjust songs accordingly, and have enough tunes to do the job. Here are some tips on how to read a crowd and adjust accordingly:

1. Prep for the Audience- Learn as much from your client as you can prior to downbeat. Whether it’s seniors looking for the classics or a kids birthday party where Disney tunes are mandatory, you should know the general age and cultural style of the audience when setting up the gig.

2.  Encourage and listen for requests- Should someone approach you with a specific song request, try to either play that song or another song by that same artist if possible and use that as a guide unless another request comes in for a different genre. In other words, go with the flow when a guest asks for it. The flip side is to make sure no song request or genre conflicts with the client’s directive, such as playing country when the client wanted ONLY Reggae and Soca.

3. Improvising- If a request comes up from the client for a song you’ve never played and they are fine with you struggling through it, try to take a short break prior to playing it to figure it out and see if it’s possible. If not, politely tell the client you don’t know that song. Just don’t agree to play it until you’re certain.

4. Ending the set- Should the musical requests vary so much that it’s out of your range to finish a set with an exciting rendition of their favorite song, try transitioning to a style closer to your own but not too far from theirs. For instance, if they want modern pop music like Katy Perry, use the closest thing you have, like the Beatles to end the set. It ain’t perfect, but it’s better than hitting them with Pan in A Minor out of nowhere.

NIU Alumna Mia Gormandy Earns Prestigious Fellowship for Steelpan

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PictureNorthern Illinois University (NIU) alumna Mia Gormandy has been named as the 2014 recipient of the Howard Mayor Brown Fellowship. The award is given to promising minority graduate students pursuing a doctoral degree in music, according to the press release.
Gormandy earned both a Bachelor of Music and Masters of Music as a performance major with emphasis on Steelpan at NIU before beginning her studies at Florida State University in the Masters of Musicology program. She’s currently in her pursuit of a doctorate in musicology.

Steel Pan Collective Provides New Resource for U.S. Pan Players

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PictureThe Steel Pan Collective, a new membership-driven organization for the U.S. Steelpan community, has officially launched as of this past June. The group was established to provide an outlet to Pan players which is centered around its core ideas to learn, connect and perform, according to its website. Membership is $60 annually and includes a host of members-only privileges, including the Engine Room blog, a calendar of events for members to post on, a member directory, the SPC Music Festival and Conference where members can perform and connect with other members, educators and vendors, a monthly newsletter, classifieds to help players find gigs, and an online forum to connect with other members. “We recognized that members of the U.S. steel pan community were kind of spread out. Communication between everyone was/is sporadic and intermittent at best. Everybody seems to be doing their own thing – which is fine I suppose. But we thought to raise the overall exposure of steel pan in the U.S., we needed to do something different,” said Waugh. “We wanted to come up with ways to share info and resources as a whole. Our desire was to tap into those pockets of knowledge. We believe the Steel Pan Collective can be an organization that facilitates networking, discussions, promotion, education, and camaraderie. We wanted to have an organization that all players, educators, and enthusiasts could join and share their passion for Pan.”
The purpose of the site is to connect players all over the U.S. to provide a resource for working Pan musicians, according to Waugh.
“We strongly believe that the exposure of steel pan in the U.S.can be helped by pooling our talents and resources. We felt we all didn’t have to reinvent the wheel anymore when it comes to 1) launching  steel pan education programs, 2) forming steel pan orchestras, 3) or just striking out as a steel pan player on your own. Chances are someone has done it and has been successful. Why not connect with them? The Steel Pan Collective is there to help facilitate that sharing. That’s purpose of our organization,” Waugh added.
To sign up for membership, visit http://steelpancollective.org and go to the Membership tab.

New York Panorama To Feature Defending Champs, CASYM Steel Orchestra on August 30th

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PictureThis year’s New York Panorama Competition will feature defending champions, CASYM Steel Orchestra, led by arranger, Duvone Stewart. The premier event will feature 11 bands and will take place on Saturday, August 30th at 8pm at the Brooklyn Museum Grounds, 200 Eastern Parkway, Brooklyn, New York, USA.
The bands competing this year include the following (in order of appearance):

  1. Pan Sonatas
  2. CASYM
  3. Pan Fantasy
  4. D’Radoes
  5. Steel Xplosion
  6. Despers USA
  7. Pantonic
  8. Metro
  9. Harmony
  10. ADLIB
  11. CrossFire

NY Panorama Results

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PictureThe 2014 New York Panorama is in the books and the D’Radoes have walked away with the ultimate prize. The winners list is as follows:

1st Place – D’Radoes
Arranger – Terrance “BJ” Marcelle
Song – Spankin’ – A Tribute

2nd Place – ADLIB Steel Orchestra
Arranger – Amrit Samaroo
Song – Big People Party

2nd Place (tied) – CASYM
Arranger – Duvone Stewart
Song – Big People Party

4th Place – Pan Sonatas
Arranger – Leon “Foster” Thomas
Song – In de Minor

5th Place – Pan Fantasy
Arranger – Al “Allos” Foster
Song – Big People Party

6th Place – CrossFire
Arranger – Kendall Williams
Song – Big in de Dance

The rest of the winners are as follows:
7th – Pantonic
8th – Despers USA
9th – Harmony
10th – Steel Xplosion
11th – Metro

Hal Leonard to Release Liam Teague’s Steelpan Lesson Book for Beginners

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PictureSteelpan virtuoso Liam Teague, who is the head of steelpan studies and an associate professor of music at Northern Illinois University, has written a study book for beginning Pan players called, “Steelpan Method.” The guide will include instruction on proper playing techniques like how to stand and sticking suggestions, various scales and specific songs that fit the various lessons covered.
Books will be sold in stores and online for $12.99 each, at a length of 32 pages. Visit http://bit.ly/1uldD8h to read through a sample of the book.
The guide will be released by Hal Leonard Music. A release date has not yet been set.

Moto Perpetuo - Liam Teague

2015 NAMM Show Begins

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PictureThe 2015 NAMM Show (National Association of Music Merchants) kicked off with a large number of exhibitors, educational seminars and performances to start the new year. The four-day conference will feature a number of famed musical acts either, both performing and presenting, including George Clinton, Bernie Williams and Howard Johnson, among others.
Educational seminars include Retail Boot Camp, Generation Next Sessions and Music Education Days Sessions.
For more information, visit https://www.namm.org/thenammshow/2015/attend.

Trinidad & Tobago 2015 National Panorama Semi-Final Results

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PictureLarge Band Results
1. Massy Trinidad All Stars – 270.5
2. Petrotrin Phase II Pan Groove – 268
3. BP Renegades – 267
4. Exodus – 265
5. NLCB Fonclaire – 264
6. PCS Silver Stars – 263
6. Tropical Angel Harps – 263
8. CAL Invaders – 262
9. Skiffle Bunch – 264
10. WITCO Desperadoes – 259

Check out the complete list here:
http://www.panonthenet.com/tnt/2015/results/2015-summary-results.htm

Birdsong Misses Panorama Finals By One Place

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Picture

Written by Ted Goslin
For the third year in a row under arranger Andy Narell, Birdsong Steel Orchestra has been eliminated during the semi-final round of the Trinidad & Tobago National Panorama competition. The band finished just five points shy of the 10th place position with 254 points, trailing the Desperadoes who earned 259 points.
The elimination of the band highlights a controversial topic brought up after the 2013 semi-finals when the band was eliminated after Narell himself claimed that year’s piece, “The Last Word,” to be what he felt was perhaps his best work ever at the event. The following year, the band performed “We Kinda Music,” an arrangement of Narell’s iconic original piece, but was awarded last place.
The controversy is nothing new for Narell at Panorama, as his 1999 piece, “Coffee Street” was discussed by commentators as either being either the best thing to happen to Panorama, or “not a Panorama tune.” Narell provided his opinions on the subject in detail in his Pan Magazine Q&A from July 2014.
The band performed Pan Magic by Nyol Manswell, a change for the band of performing Narell’s own compositions for the last two years (We Kinda Music in 2014 and The Last Word in 2013).

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